Lothar Ledderose is one of the most distinguished scholars of Chinese art history worldwide. In the West and in East Asia he is recognized for the incisiveness. Lothar Ledderose, University of Heidelberg, Kunstgeschichte Ostasiens Department, Faculty Member. Studies Buddhist art and architecture, Chinese Art . Evans-Wentz Lecture TALK SUMMARY In the sixth century Buddhist monks in present-day Shandong engraved Buddha names and excerpts from Sutra texts.
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Lothar Ledderose – Wikipedia
Oriental Art Cultural Studies. Module and Mass Production in Chinese Art.
Prof. Dr. Lothar Ledderose
Description Chinese workers in the third century b. In the eleventh century a. In the seventeenth and eighteenth centuries, China exported more than a hundred million pieces of leddeerose to the West. As these examples show, the Chinese throughout history have produced works of art in astonishing quantities–and have done so without sacrificing quality, affordability, or speed of manufacture.
How have they managed this? Lothar Ledderose takes us on a remarkable tour of Chinese art and culture to explain how artists used complex systems of mass production to assemble extraordinary objects from standardized parts or modules. As he reveals, these systems have deep roots in Chinese thought–in the idea that the universe consists of ten thousand categories of things, for example–and reflect characteristically Chinese modes of social organization.
Ledderose begins with the modular system par excellence: Chinese script, an ancient system of fifty thousand characters produced from a repertoire of only about two hundred components. He shows how Chinese artists used related modular systems to create ritual bronzes, to produce the First Emperor’s terracotta army, and to develop the world’s first printing systems. He explores the dazzling variety of lacquerware and porcelain that the West found so seductive, and examines how works as diverse as imperial palaces and paintings of hell relied on elegant variation of standardized components.
Ledderose explains that Chinese artists, unlike their Western counterparts, did not seek to reproduce individual objects of nature faithfully, but sought instead to mimic nature’s ability to produce limitless numbers of objects. He shows as well how modular patterns of thought run through Chinese ideas about personal freedom, China’s culture of bureaucracy, Chinese religion, and even the organization of Chinese restaurants.
Originally presented as a series of Mellon lectures at the National Gallery of Art, Ten Thousand Things combines keen aesthetic and cultural insights with a rich variety of illustrations to make a profound new statement about Chinese art and society. The Best Books of Check out the top books of the year on our page Best Books of Product details Format Paperback pages Dimensions x x Looking for beautiful books? Visit our Beautiful Books page and find lovely books for kids, photography lovers and more.
Other books in this series.
Imago Dei Jaroslav Pelikan. Paths to the Absolute John Golding. Review quote Lothhar of the Joseph Levenson Book Prize for pre China “A truly unique book to clarify the mind about what Chinese art is now and what it was. This may be a book with a large and ambitious thesis, but it is also one very firmly grounded in specifics The clarity of exposition and the liveliness of the language makes each of the eight linked essays a pleasure to read on its own The work deserves a wide readership, drawn from anyone who thinks that creativity matters.
Flath, Pacific Affairs “Ledderose’s book, although written to be accessible to a nonspecialist reader, should have an equally impressive impact on scholars After reading it, one cannot but be excited about the future direction and possibilities of Chinese pedderose history.
He is an internationally renowned scholar of Chinese art and calligraphy. Book ratings by Goodreads.
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